I’ve been asked to divulge the details behind the mysterious case that led to my involvement in the Myows project in the first place. The whole matter was fairly convoluted and I’m not entirely sure that the other party is to blame although a lot of other people seem pretty convinced. But here’s the story – make of it what you will. Just bear in mind that this is my opinion only!
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The issue of whether Myows is trustworthy is an interesting one.

Okay, to be honest, it’s a little frustrating. But then I guess it’s always annoying to be faced with trust barriers when you’ve started a positive initiative and all you want to do is go out there and nail bad guys. Of course, these questions are only natural at the end of the day. So here is our response.

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A lot has been made about Myows’ role (or potential lack thereof) in the lives of our American users. This is partly because US copyright law works slightly differently from the rest of the world and partly as a result of the availability of USCO (The US Copyright Office) to those stateside. Of course, the two are linked. For those who are confused, allow me to clarify:

The question essentially is this: because USCO is available to US users and certain rights are exclusively granted to parties that register their work with this authority, what is the point of using Myows? Here’s my opinion on the matter.
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Last year, my creative studio (Engage Brandcraft) was accused of stealing the intellectual property of a bigger, much more aggressive company who had in fact clearly stolen ours.

They threatened us with legal action if we didn’t ‘cease and desist’ with the flagrant use of our own original work (in this particular case, our name and logo – a very nasty allegation indeed). Trademark issues ensued – we were being accused of passing-off and copyright violations.

Goliath eventually gave in but not without a very expensive counter-threat from the lawyers on our side. Taking it to court would probably have cost in the region of approximately 50 000 USD. We came off lightly. Yet we’d done nothing wrong to start with! In time and money alone the exercise cost us well over 2000 USD. And let me assure you, we didn’t have that kind of money lying around. Similar predicaments face creators from all walks of life, daily, across the globe. Other “writers” steal our articles, companies turn our Youtube^® uploads into ads, bullies copy our logos and then accuse us of being the perpetrators.

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Consulting with expensive lawyers has never been high up on any creative’s agenda. Indeed, when their work is stolen or copied, creatives have traditionally done nothing for two simple reaons: firstly because its more hassle to seek legal help than it is not to and, secondly, because many creatives don’t actually know what their rights are.

In the world of digitization, file sharing and online publication however, the widespread copying of creative work has become a big issue, and one that can sometimes cost creatives their livelihood. Creatives need to be proactive about their rights in order to protect their work from unscrupulous idea pirates.

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